Trying to find new music nowadays that already doesn’t sound like some recent band or artist in the charts is a very tricky thing to do. Nearly all singer/songwriters with guitars sound like a knock-off Ed Sheeran and nearly all indie-rock bands will have influences of Arctic Monkeys, The 1975 etc.
Miranda Amess however, is a different case.
She has already started to make her mark in the music industry, with her debut single ‘Gravity’ gaining airplay on BBC Introducing when it was released, and also supporting Janet Devlin (Northern Irish singer/songwriter & X Factor runner up) during her Manchester show last year.
Now, after taking time to focus on her solo music, Miranda Amess has just released her new single ‘You & I’.
The overall feel of the song itself is a soft version of a Sia and Christina Aguilera power-pop ballad. Miranda has a beautiful vocal range and her voice doesn’t get overshadowed and therefore melt into nothingness. It is not a stereo-typically processed voice like most female pop acts have. Her accent comes through, which makes her have her ‘own’ voice, and makes this song so good to listen to. The mix between the pop style lyrics and vocals swirl together with the pop-rock instruments to create a song that has all the right boxes ticked to be brilliant.
It is a very well structured song. It has a good rhythm to it which, after a few listens, begins to sound familiar, as though this song is already in the charts- although it’s better than what’s in the charts. Miranda has written some very powerful lyrics with a lot of emotion conveyed through them- they are lyrics that people can relate to, lyrics which make people listen closer to them, to find their own personal meaning.
Miranda Amess is clearly a professional, and is very much in control of what she does as a musician. She has started making well defined tracks in the music industry, and if she continues to release songs as well put together and recorded as ‘You & I’, then attention, recognition and opportunities are not far off for Miranda.
Check out ‘You & I’ on Spotify: https://open.spotify.com/track/4u7KrRMrMUmh1PFAihIFI7
Miranda Amess website: https://www.mirandaamess.com/
‘Heaven’s Discrepancies’ is the latest single to be released by Preston-based band The Empire Police, and upon first listen, does not disappoint. It is a wonderfully upbeat and energetic song, with an incredible catchy chorus. It’s what I like to call bubblegum sounding, like it could easily fit into an American teen comedy film.
The bass-line in the bridge sounds heavily influenced by Green Day, reminiscent of the bass-line in their song ‘Chump’ from 1994 album, Dookie.
‘Heaven’s Discrepancies’ is short but sweet, where every good thing you want from a song is packed into it 2:10 minute timeframe. You don’t get bored of it, and it’s that right amount of punk-style repetitive which makes it instantly stick in your brain.
The song, as a whole, sounds like the product of what you would get if the Kaiser Chiefs and The Hoosiers were put in a blender. That indie-pop-punk genre which was huge in the mid-2000’s.
‘Heaven’s Discrepancies’ is noticeably different in comparison to their other recently released tracks, such as ‘Yesterday’ and their self-titled E.P ‘The Empire Police’. It’s refreshing when bands do this because it shows versatility. The Empire Police are showing that they are capable of switching from laid-back, Northern indie-rock, to fast paced alternative pop-rock; and do it extremely well.
If you like what you hear and want more, The Empire Police are playing at The Soup Kitchen, Manchester on the 18th November with Scruff Of The Neck Records. Tickets are available through Ticket Alien:https://www.musicglue.com/ticketalien/events/9f9ff7d0-63e6-0135-c797-2603ee79f6ff
‘Heaven’s Discrepancies’ is available to stream on Spotify, Apple Music and iTunes.
A musician from the west of Ireland specialising in alternative rock and pop but played through the piano, Emma O’ Reilly is certainly something unique in today’s music industry. Citing influences such as Kate Bush and Tori Amos, she has been making music and performing since her early teenage years, going on to study music further, obtaining a BA from Trinity College. Her first E.P ‘Tour’ was released in 2007 and was a huge success as it completely sold out.
Emma is beginning a run of summer shows, performing this weekend in Norwich on Saturday 17th June at Eaton Park Cafe and Peterborough on Sunday 18th June at Puzzels?, then touring further with 5 more shows at the end of July/beginning of August. Tickets are available through her Facebook page https://www.facebook.com/emmaormusic/app/123966167614127/.
Her fourth EP ‘Fractures’ was released on May 19th and has so far received critical acclaim from a variety of people such as Remy Connolly (Remy’s Film and Music Blog) and Julie Bell (Pure M Magazine). It was named ‘Album of the Week’ by BBC Radio Suffolk on The Great Big Sunday Show and has had airplay on radio stations across Great Britain and Ireland.
‘Fractures’ Review With the basis of her music being the piano, Emma proves that simplicity is the key to making a captivating E.P. ‘Shake’ is the lead single from ‘Fractures’ and starts the E.P off on a fierce note. The attitude and meaning of her words punch through the music, creating a huge contrast to the delicate, traditional piano. A lot of thought has gone into how the story is told, which is a refreshing change to the mundane pop that is pumped into the music charts these days. In comparison, ‘Count’ is much gentler, with the chords of the ukulele blending beautifully with her vocal melody. It is a song which soothes you, and one of those rare songs which you instantly like upon first listen. There is so much emotion that is put into Emma’s songs; something you can hear in her voice and which is then felt in your body. In ‘Cervantes’, Emma’s voice is almost haunting, and genuinely gave me the chills whilst listening to it. I had to pause for a moment because I was just in awe of how pure her voice was. It is so clear through this E.P that Emma is very gifted and has perfected, very quickly, which instruments compliment her voice and help tell the songs’ story. The notes she is able to reach, especially on the last track, ‘Geneva’, are incredible and I wish I was able to do that without my voice breaking. With Emma’s music, nothing gets lost in over-production. No value is lost in how many instruments/backing vocals are added. Emma O’ Reilly is a promising and dedicated musician who is serious about the music she produces and the messages she puts across in her songs. She has overcome so much and worked so hard to produces ‘Fractures’ and it is receiving the positive reviews and promotion that it deserves.