Song Review: ‘Heaven’s Discrepancies’ by The Empire Police

‘Heaven’s Discrepancies’ is the latest single to be released by Preston-based band The Empire Police, and upon first listen, does not disappoint. It is a wonderfully upbeat and energetic song, with an incredible catchy chorus. It’s what I like to call bubblegum sounding, like it could easily fit into an American teen comedy film.
The bass-line in the bridge sounds heavily influenced by Green Day, reminiscent of the bass-line in their song ‘Chump’ from 1994 album, Dookie.
‘Heaven’s Discrepancies’ is short but sweet, where every good thing you want from a song is packed into it 2:10 minute timeframe. You don’t get bored of it, and it’s that right amount of punk-style repetitive which makes it instantly stick in your brain.
The song, as a whole, sounds like the product of what you would get if the Kaiser Chiefs and The Hoosiers were put in a blender. That indie-pop-punk genre which was huge in the mid-2000’s.
‘Heaven’s Discrepancies’ is noticeably different in comparison to their other recently released tracks, such as ‘Yesterday’ and their self-titled E.P ‘The Empire Police’. It’s refreshing when bands do this because it shows versatility. The Empire Police are showing that they are capable of switching from laid-back, Northern indie-rock, to fast paced alternative pop-rock; and do it extremely well.
If you like what you hear and want more, The Empire Police are playing at The Soup Kitchen, Manchester on the 18th November with Scruff Of The Neck Records.
Tickets are available through Ticket Alien: https://www.musicglue.com/ticketalien/events/9f9ff7d0-63e6-0135-c797-2603ee79f6ff

‘Heaven’s Discrepancies’ is available to stream on Spotify, Apple Music and iTunes. 

Spotify: https://open.spotify.com/artist/1wywbtI5PQjtJaINE7GvUA?si=Fd7OSgrf

The Empire Police Facebook Page: https://www.facebook.com/theempirepolice/ 

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Live Review: ‘Avenue’ @ Night & Day Cafe, Manchester (11/10/2017)

The Night and Day Cafe in Manchester is slowly becoming a favourite place amongst young bands. It’s cool, quirky, and at first doesn’t strike you as a music venue, just an overly alternative coffee shop-cum-bar. But it definitely has that hipster vibe which is becoming a must have accessory for a lot of today’s young talent.

Tonight, the headline act is Avenue, a jazz-rock band from Manchester. The place isn’t packed out, but I wouldn’t really expect a full on mosh pit to happen at a jazz gig.
As they kickstart their first song, ‘Mellow Yellow’, it instantly comes across how professional they must work together. They are tight, the sound is clear and the singer has a voice very reminiscent of Amy Winehouse. The overall sound of jazz vocals mixed with rock instruments blends together so smoothly. It’s actually so refreshing to hear a young band sound like this and not like a wannabe Arctic Monkeys/Oasis tribute band.

I just wish they had more spark in their stage presence for in between songs. It deflates the set when they go from full performance mode, to standing around awkwardly, talking shyly to the audience.

‘Move On’ injects some feistiness into the performance, with lead singer Lauren George spitting out lyrics such as, ‘Move on, you need to get some help!’. It has that element of sassiness which makes you want to applaud and shout, ‘YES GIRL!’.
Remember I said the singer sounded like Amy Winehouse? Well sure enough, mid-way through their set, they launch into a cover of ‘Valerie’ (originally done by The Zutons, Mark Ronson and Amy Winehouse covered it in 2007). It is definitely their stand out song, getting an impressive reaction from the audience. A crowd pleaser, yes, but it shows off Lauren’s vocals beautifully, and with their own relaxed jazz-rock twist, it makes the song sound effortless.
All the songs that Avenue have performed tonight are slick, well rehearsed and enjoyable to listen to. You just need stage presence guys! Get some movement in there, dance a little, it’s your night and you are in control.
However, it is a good thing that this the only negative thing I have to say about their performance tonight.
Last song ‘Wicked Heart’ leaves the gig on a happy-go-lucky, feel-good note, and finally shows the two guitarists enjoying themselves.

Avenue have incredible songwriting talent, and seem to have already established a solid sound with no doubts of who they want to be. Their set was a perfect mix of well rehearsed originals and crowd pleasing covers. It went down so well, they definitely deserve to feel proud as musicians.

Making money off the dead

Another in-depth blog post, but one which I feel needs to be discussed because there are two arguments to the side of this, more controversial topic.

Continuing a similar theme with the last post, where I discuss that ALL musicians who die should be given the same remembrance by the media, I wanted to write about what happens after the musicians die.

Celebrating a musician after they die is of course, normal and completely fine. But, I have very mixed feelings about whether it is right or wrong for their manager or record label to use the fact that they have passed, as an opportunity to make as much money as they can from their music. Within the next few days of the artists death, there will be adverts on TV showcasing their ‘Greatest Hits’, copies of every album lining the main displays in HMV, and the charts will suddenly be swarmed by all their well known singles.

Suddenly, it seems every person on the planet is a ‘huge fan’ of said musician.

But where does all the money go from the sales? Straight back into the record labels pocket that’s where. Which raises the question- do these massive record labels see artists deaths as the best promotion opportunity, essentially, making money off the dead?

When put like that, it seems quite insensitive, but think about it: who are these sales benefiting? Obviously not the artist, they have no idea that their number 1 hit from 10 years ago is back in the charts. They left this earth just hoping to be remembered, at least for a little while. So which major party is left, but the record label who is giving the go-ahead for the CD’s etc to be sold in the first place. You may not want to believe people like that exist, but unfortunately they do. There are some people who work in the industry, in record labels, who only have money on their mind. They couldn’t give two shits about the artist, just the revenue they bring in.

All that leaves a bad taste in your mouth, doesn’t it?

However, this is my other argument to this subject. As I said previously, there is nothing wrong with celebrating an artist after their death. Those people have affected other people’s lives greatly. They will leave a lasting impression in the music industry, with songs which shall be played for years to come. I just feel that record labels should have the artists family in the forefront of their mind, rather than their pay cheque. Money from sales should be given to direct relatives, then some to charities/organisations the artist worked with- that would benefit the world a lot more, wouldn’t it? I’m sure that would be the lasting impression the artist would like to leave, knowing their family is secure, rather than ensuring workers at a record label get their end-of-year bonus.

This is a subject that does get me riled up, as I feel very strongly about it. But once you see what is happening, once you think deeper than, ‘Oh isn’t it nice to see all [insert artists name here] CD’s on sale again! Isn’t it nice for them to celebrate them!’, you do realise what is actually going on. It has made me view the situation a lot differently. I don’t go into shops and see joy at how the artists CD’s are everywhere, how their songs are back in the charts, because I know they aren’t here to be benefited.

I wish they could be.