The Night and Day cafe in Manchester is one of those hidden gems nestled in Northern Quarter, and the last place you expect to be packed out on a Tuesday night for a gig.
GENERATION MCR– an event put on by BIMM students, for BIMM students and reviewed by BIMM students.
First up are Ballamona, who seem nervous- expected given the huge crowd- and arrive up onstage heads down, slouching behind their guitars. They are very much reminiscent of early Foo Fighters and soaked with Indie that if you cut them open The Strokes would play, with the bassist having a Kurt Cobain style presence. A moment during the intro to the second song, the drum beat was so similar to The Beautiful People by Marilyn Manson yet then twisted and went into a smooth, safe indie rock song. It captivated you as there were so many styles all blended into one. The vocals are almost slurred, definitely trying to recreate that laid back, nonchalant feel generic indie bands have. However, you cannot fault Ballamona on their talent. You can tell they have a direction and sound they are happy with and want to move forward in. They are a very melodic band, the music and vocals blend together like coffee and cream. It’s always good to interact with the crowd, however you need to judge the timing , as you will lose interest from the audience. Unfortunately this is the only time Ballamona slipped up during their entire performance, but no band is perfect when they first start out. Credit to them as they did pick it back up, captivating the crowd again and holding onto them until the very end of the set.
Little Maddy Storm with the big voice.
A huge contrast to Ballamona, with her music having a very ambient feel, unlike anything I’ve heard before. Maddy Storm and her band grab your attention in such a different way to Ballamona, the music tricks you into thinking it will constantly be a gentle listen and then the volume rises and Maddy releases a teaser of her powerful vocals. Whilst the music is good, it is so chilled out and relaxing, I could have easily curled up on one of the sofas and drifted off to sleep. Maybe Maddy wasn’t the right choice to have on after an indie-rock get up?
There were moments throughout her performance when the (intentional?) feedback detracted the attention from her voice, making it a struggle to make out the lyrics. Despite this, Maddy clearly has potential to become a strong character, there’s already a glimmer of front-woman in her. Her music is unique, it’s fresh sounding, you can’t pin point one particular artist she sounds like, and the performance tonight shows she means business and is not your typical singer/songwriter. There’s ambition, emotion and drive behind her voice. She just needs to act like she owns the stage, that it is her place…and she will go far.
For the entire performance that La Mode gave all I can think about is how the vocalist looks and acts so much like Joey Ramone that it scares me. With her voice also sounding like a mash up of Axl Rose and Joan Jett, it’s a very confusing gig to watch/listen…and I think I like it?
Songs such as ‘Electric’ inject the crowd with energy, with their sound being similar to Ballamona- very indie, punky, more aggressive vibes, dripping with attitude. Their cover of ‘Woman’is incredible, and I feel that most of the bands musical talent shines through this song. As someone listening to it you can tell that they love it and have worked hard on that, to do the song justice. La Mode are a band you can picture playing in bigger venues already. They have that edgy aesthetic that appeals to the younger generation.
Now, audience participation can be the make or break of your gig, asking the crowd to clap and getting blank looks back is always awkward, yet La Mode seem to have the audience wrapped round their little finger. The crowd claps and hollars along to pretty much every song. Impressive.
It’s time for the instruments to mellow out now, and let the vocals fill up the Night and Day venue like smoke. That girl has some lungs on her. She shouts, roars and yells her way through the whole of the set, never faltering, maintaining a consistent power few female vocalists actually master.
It must be a euphoric sensation being able to perform like that, and to end the set to a full crowd cheering, clapping and begging for more is such an achievement. La Mode should be incredibly proud of themselves.